1
A类评委
黄心渊
Huang Xinyuan
黄心渊，中国传媒大学动画与数字艺术学院教授、博士生导师。现任教育部高等学校动画与数字媒体教学指导委员会秘书长、全国高等院校计算机基础教育研究会会长、中国动画学会常务理事。
先后担任中国国际动漫节原创动漫大赛、中国（北京）国际大学生动画节、全国文科计算机设计大赛、全国大学生广告艺术大赛、北京大学生动漫设计大赛、北京大学生计算机应用能力大赛等重要赛事评委。
自20世纪90年代起，先后主持并承担多项国家“863”计划及国家科技支撑计划项目，曾参与国家“十三五”战略性新兴产业发展规划数字创意部分论证，以及手机（移动终端）动漫国家标准与国际标准的研制。
Huang Xinyuan,Doctoral Supervisor, School of Animation and Digital Arts, Communication University of China.
He serves as Secretary-General of the Animation and Digital Media Teaching Steering Committee of the Ministry of Education, President of the Association of Fundamental Computing Education in Chinese Universities, and Executive Council Member of the China Animation Association.
A recognized authority in virtual reality and computer animation, he has led and undertaken numerous projects under China's National 863 Program and the National Science and Technology Support Program since the 1990s. He has also contributed to the drafting of the digital creative industries section of the National 13th Five-Year Plan for Strategic Emerging Industries, as well as the formulation of national and international standards for mobile terminal anime/content.
He has served on the juries of:
Original Animation Competition, China International Cartoon & Animation Festival (CICAF)
China (Beijing) International Student Animation Festival (Aniwow!)
National Computer Design Competition for Liberal Arts
National College Students Advertising Design Competition
Beijing College Students Animation and Comics Design Competition
Beijing College Students Computer Application Skills Competition
刘健
Liu Jian
刘健，导演。中国美术学院教授。创作的动画电影《刺痛我》《大世界》《艺术学院1994》获得国际国内多项大奖，包括第67届、73届柏林国际电影节主竞赛单元金熊奖提名、第54届金马奖最佳动画长片奖等。
Liu Jian, Director and Professor at the China Academy of Art. His acclaimed animated feature films—Piercing I, Have a Nice Day, and Art College 1994—have garnered numerous prestigious awards both domestically and internationally. These accolades include nominations for the Golden Bear in the Main Competition at the 67th and 73rd Berlin International Film Festival, as well as the Best Animated Feature at the 54th Golden Horse Awards.
朱贝宁
Zhu Beining
朱贝宁
Bilibili 动画项目监制 / 动画导演。
代表作品：
《凡人修仙传》《仙王的日常生活》《火凤燎原》《牧神记》《大道朝天》《永生》《秦时明月》《天行九歌》《武庚纪》
Zhu Beining
Animation Project Supervisor / Animation Director, Bilibili
Representative Works:
A Record of a Mortal's Journey to Immortality, The Daily Life of the Immortal King, The Ravages of Time, Tales of Pasturing Gods, The Path Toward Heaven, Immortality, The Legend of Qin, Nine Songs of the Moving Heavens, The Legend and the Hero
比吉塔·霍齐亚（英国）
Birgitta Hosea
拓展动画与实验绘画创作领域的著名艺术家。现任新加坡南洋理工大学动画客座教授，曾任英国创意艺术大学法纳姆校区动画研究中心主任（2018–2026）、英国皇家艺术学院动画系主任（2016–2018）、中央圣马丁学院角色动画硕士课程主任（2000–2015），以及 Adobe 高级示范艺术家（2000–2012）。
她致力于在美术馆空间拓展动画边界，其创新作品曾展出于威尼斯双年展、卡拉奇双年展、瓦哈卡当代艺术博物馆、成都当代美术馆、首尔韩美画廊、伦敦当代绘画中心及中国湖南博物院。作品被英国泰特不列颠美术馆及巴黎当代艺术中心档案馆收藏。
她曾为 Adobe、欧洲电子艺术节（Ars Electronica）、贵州省博物馆等机构联合策展，并撰写出版了大量关于绘画、实验动画与拓展动画的著作。
An artist working with expanded animation and experimental drawing. Currently Visiting Professor of Animation at Nanyang Technological University (NTU) in Singapore, she was previously Director of the Animation Research Centre at UCA Farnham (2018–2026), Head of Animation at the Royal College of Art (2016–2018), Course Director of MA Character Animation at Central Saint Martins (2000–2015), and Senior Demo Artist for Adobe (2000–2012).
Her innovative work expanding animation into gallery spaces has been exhibited worldwide, including the Venice and Karachi Biennales; the Oaxaca and Chengdu Museums of Contemporary Art; Hanmi Gallery, Seoul; the Centre for Recent Drawing, London; and Hunan Museum, China. Her work is held in the archives of Tate Britain and the Centre d'Art Contemporain, Paris.
She has co-curated exhibitions and events for institutions such as Adobe, Ars Electronica, and the Guizhou Provincial Museum, and has authored numerous publications on drawing, experimental animation, and expanded animation.
玛丽·波利娜·莫拉雷（法国）
Marie-Pauline Mollaret
玛丽·波利娜·莫拉雷法国影评人、电影节策展人。定居巴黎。现任戛纳国际电影节“导演双周”（Quinzaine des Cinéastes）单元选片委员会成员，同时担任法国安纳西国际动画电影节、蒙特利尔新电影节（FNC）及巴黎国际动画电影节（PIAFF）等多个国际知名影展的选片与策展工作。
她长期撰写电影专业评论，并在巴黎新索邦大学教授影评写作与电影节选片策展课程。此前，她曾担任戛纳电影节“影评人周”（Semaine de la Critique）单元选片委员长达八年。
Marie-Pauline Mollaret.Film Critic & Curator.Based in Paris, Marie-Pauline Mollaret is a French film critic and curator. She serves on the selection committee for the Directors' Fortnight (Quinzaine des Cinéastes) at the Cannes Film Festival, and collaborates with various film festivals including the Annecy International Animation Film Festival, the Festival du Nouveau Cinéma (FNC) in Montreal, and the Paris International Animation Film Festival (PIAFF).
She regularly contributes articles on cinema and teaches film criticism and film programming at Sorbonne Nouvelle University. Previously, she served on the selection committee of the Cannes Critics' Week (Semaine de la Critique) for eight years.
蒂博·德拉艾（法国）
Thibaut Delahaye
拥有 26 年横跨动画长片、剧集及电子游戏的资深制作经验。近期担任现象级动画电影《猫猫的奇幻漂流》（Flow）的动画总监（该片横扫奥斯卡奖、法国电影凯撒奖、金球奖及安妮奖“最佳动画长片”等重磅荣誉），在项目中统领由 12 至 16 名动画师组成的团队，全面把控四足动物与生物角色的表演设计与动作质感。
其余参与制作的代表作包括 Netflix 电影《猫狗大乱斗》（Cat & Dog，全球播放量突破 4000 万），以及《Furi》《Haven》《Blanc》《疾速追杀VR》（John Wick VR）等多款知名游戏项目。
具备卓越的跨软件与跨管线适应能力（Tool-agnostic），精通 Maya、Blender、3ds Max 及 Softimage；26 年来始终能根据不同项目的技术需求敏捷调整并深度融入制作管线。
曾在一流专业动画院校执教近十年并担任动画系负责人，主讲角色表演、身体力学（Body Mechanics）与生物动画。这段深厚的教学经验赋予了其极强的复杂问题拆解能力，能够针对不同层级动画师提供高度精准的专业指导与反馈。
Bringing 26 years of extensive industry experience across animated feature films, TV series, and video games, he most recently served as Animation Supervisor on Flow (winner of the Academy Award, César Award, Golden Globe, and Annie Award for Best Animated Feature). In this role, he led a specialized team of 12–16 animators, overseeing all quadruped and creature character performance.
His extensive credits also include the hit Netflix feature Cat & Dog (with over 40 million views), as well as acclaimed game productions including Furi, Haven, Blanc, and John Wick VR.
Completely tool-agnostic across Maya, Blender, 3ds Max, and Softimage, he possesses a proven 26-year track record of seamlessly adapting to any production pipeline.
Having served for nearly a decade as Head of Animation at a professional animation institution, he trained emerging animators in acting, body mechanics, and creature animation—deepening his ability to deconstruct complex technical challenges and deliver finely calibrated feedback across all skill levels.
王思莲（瑞士）
Tina Schwizgebel-Wang (Wang Siliane)
蒂娜·施维茨格贝尔-王（王思莲，Tina Schwizgebel-Wang）是一位瑞士跨领域艺术家，创作领域涵盖版画、绘画、服装设计、陶艺和平面设计。
她曾两度荣获瑞士卢塞恩 Fumetto 国际漫画节一等奖；在服装设计领域，她凭借个人系列创作荣获第 34 届法国耶尔国际时尚、摄影与配饰艺术节“Chloé 奖”。其作品曾刊登于《Vogue France》，并受到瑞士、德国、意大利等多国主流国际媒体的广泛关注与报道。
她的版画作品常年在瑞士、法国与中国展出，多件铜版画作品被瑞士卡鲁日博物馆（Musée de Carouge）永久收藏，其创作亦被收录于聚焦海洋主题的出版物《Sillages》。2025 年，瑞士出版社 Art & Fiction 出版了其个人作品集《Novembre》，并在瑞士多个城市举办了巡回签售及艺术交流活动。
她曾受邀参与多个国际艺术驻留与展览项目（包括上海驻留项目），并曾担任瑞士日内瓦 Animatou 国际动画节及巴登 Fantoche 国际动画节评审。
自幼接受专业大提琴训练的她，曾与钢琴家兄长共同演奏拉赫玛尼诺夫的大提琴与钢琴作品，该录音被用于其父世界动画大师乔治·施维茨格贝尔（Georges Schwizgebel）执导的动画短片《Romance》中。2026 年，她还与音乐人米卡埃尔·阿莱（Mickaël Halley）再度合作，为其父亲执导的日本广岛国际动画节官方预告片创作配乐。
凭借横跨多个艺术领域的创作经验，她始终以开放而独特的当代视角，探索多元艺术媒介与视觉叙事的边界。
Tina Schwizgebel-Wang is a Swiss multidisciplinary artist whose practice encompasses printmaking, painting, fashion design, ceramics, and graphic design.
She has won First Prize twice at the Fumetto International Comics Festival in Lucerne, Switzerland. For her fashion creations, she received the Chloé Award at the International Festival of Fashion, Photography and Accessories in Hyères, France. Her work has been featured in Vogue France and covered by numerous Swiss, German, Italian, and international media outlets.
Her engravings are regularly exhibited in Switzerland, France, and China. Several of her copper engravings have been acquired by the Musée de Carouge in Switzerland, and her work is featured in Sillages, a publication dedicated to the ocean. In 2025, the Swiss publishing house Art & Fiction published her book Novembre, which was presented through events and book signings in several Swiss cities.
Her artistic journey has taken her to various residencies and exhibitions, notably in Shanghai. She has also served on the juries of Animatou in Geneva and Fantoche in Baden, two international animation film festivals.
Trained as a cellist, she performed a piece for piano and cello by Rachmaninoff with her brother in the animated film Romance, directed by her father, filmmaker Georges Schwizgebel. In 2026, she also collaborated with musician Mickaël Halley on the soundtrack for the trailer of the Hiroshima International Animation Festival, directed by her father.
Working across disciplines, she brings an open and distinctive perspective to different forms of artistic creation and visual storytelling.
2
B类评委
王立军
Wang Lijun
王立军，中国美术家协会漫画艺委会秘书长，漫画家、策展人、漫画及绘本出版人，中国原创绘本创作、出版与教学的推动者，中国绘本展、张乐平绘本奖的策展人、发起人，国际无字书大奖中国区授权负责人，北京电影学院动画学院“王立军工作室”导师。策划、组织央视首档中国原创绘本系列节目——《中国最美故事绘》，创作出版有《聪明的猴仔》《西游降魔》《李冰斗蛟》等漫画、绘本图书。主编的绘本作品曾获得中国文化艺术政府奖动漫奖、冰心儿童图书奖等重要奖项。
Wang Lijun is Secretary-General of the Cartoon Art Committee of the China Artists Association, a cartoonist, curator, and publisher of comics and picture books. He promotes the creation, publication and teaching of original Chinese picture books, and is the curator and initiator of the China Picture Book Exhibition and the Zhang Leping Picture Book Award. He is the authorized representative in China for the International Silent Book Contest and a mentor of the “Wang Lijun Studio” at the School of Animation, Beijing Film Academy. He planned and organized China’s Most Beautiful Storytelling, the first original Chinese picture book series program launched by China Central Television (CCTV), and has created and published comics and picture books such as Clever Monkey Cub, Journey to the West: Subduing Demons and Li Bing Fighting the Flood Dragon. Picture books for which he has served as editor-in-chief have won major honors, including the Animation and Comics Award of the China Culture and Arts Government Awards and the Bing Xin Award.
多米尼克·戈布莱（比利时）
Dominique Goblet
多米尼克·戈布莱是比利时视觉艺术家、漫画作者及欧洲独立先锋漫画出版社 Frémok（FRMK）联合创始人。现任教于布鲁塞尔漫画与插画硕士项目及布鲁塞尔圣吕克艺术学院（ESA Saint-Luc）。她于 2019 年出任法国昂古莱姆国际漫画节大奖评审团主席；2020 年先后斩获瑞士特普费尔漫画大奖（Grand Prix Töpffer）与比利时原子球漫画奖（Atomium Prize）；2022 年荣获比利时 SCAM 艺术大奖。她的作品曾参展巴黎蓬皮杜艺术中心年度大展“La bande dessinée à tous les étages”，并在瑞士巴塞尔漫画博物馆（Cartoonmuseum Basel）举办个人回顾展。出版作品包括《Portraits crachés》（1997）、《Souvenirs d’une journée parfaite》（2002）、《Faire semblant c’est mentir》（2007）、《Les hommes-loups》（2010）、与女儿 Nikita Fossoul 合作的《Chronographie》（2010）、与 Kai Pfeiffer 合作的《Plus si entente》（2014）、与 Dominique Théathe 合作的《L’amour dominical》（2019），以及与 Kai Pfeiffer 合作的《Le jardin des candidats》（2022）。
Dominique Goblet is a visual artist, comics author and co-founder of Fremok publishing house. She lectures in the Comics and Illustration Master’s program in Brussels and at Saint-Luc. She served as President of the Grand Jury at Angoulême in 2019 and received the Töpffer Grand Prize in Switzerland and the Atomium Prize in Belgium in 2020, followed by the SCAM Prize in Belgium in 2022. Her work has been featured in the exhibition “La Bande Dessinée à tous les étages” at the Centre Pompidou in Paris and in a retrospective at the Cartoon Museum in Basel, Switzerland. Her books include Portraits crachés (1997), Souvenirs d’une journée parfaite (2002), Faire semblant c’est mentir (2007), Les hommes-loups (2010), Chronographie (2010, with her daughter Nikita Fossoul), Plus si entente (2014, with Kai Pfeiffer), L’amour dominical (2019, with Dominique Théathe) and Le jardin des candidats (2022, with Kai Pfeiffer).
李顺基（韩国）
Lee Soon-Ki
李顺基（Lee Soon-Ki）现任韩国世宗大学漫画与动画技术系教授、系主任，兼任创意软件学部负责人、世宗大学首尔锚点项目（Seoul Anchor Project）副主任，以及韩国文化产业振兴院（KOCCA）精英网络漫画创作者培养项目副总负责人。在创作方面，他目前在 Naver Webtoon 面向北美市场连载《Marriage Blues》，此前作品包括《Love Roasting》（2024—2025）、《Another Love》（2022—2023）及《It Was All You》（2021—2023），相关作品曾在美国、日本、西班牙、法国及中国台湾地区同步发行。作为 SECAN STUDIO 执行董事，他为 Naver Webtoon 制作了《God's Butler》和《Does God Play Dice?》，其中《God's Butler》的电视剧改编选择权已获签约。他还担任韩国漫画动画学会及韩国角色研究学会理事，研究方向包括网络漫画叙事结构与融合人工智能的创作制作。
Lee Soon-Ki is Professor and Head of the Department of Cartoon & Animation Technology at Sejong University, where he also serves as Head of the Division of Creative Software. He currently serves as Deputy Director of Sejong University's Seoul Anchor Project and as Deputy General Director of KOCCA's Elite Webtoon Creator Development Program. As a creator, he is serializing Marriage Blues on Naver Webtoon for the North American market, following Love Roasting (2024–25), Another Love (2022–23) and It Was All You (2021–23), which were released simultaneously in the United States, Japan, Spain, France and Taiwan. As Executive Director of SECAN STUDIO he produced God's Butler and Does God Play Dice? for Naver Webtoon, with God's Butler optioned for drama adaptation. He sits on the boards of the Korean Society of Cartoon and Animation Studies and the Korean Society of Character Studies, and his research addresses webtoon storytelling structure and AI-integrated production.
3
C类评委
费俊
Fei Jun
中央美术学院设计学院艺术与科技方向教授、博士生导师，某集体ART+TECH 创始人、创意总监，中国美术家协会数字艺术艺委会秘书长。曾任2025大阪世博会中国馆项目多媒体艺术顾问负责人，2023央视春晚视觉总监、中央美术学院设计学院数码媒体工作室主任，北京国际美术双年展数字艺术特展策展人、北京艺术与科技双年展策展人，北京媒体艺术双年展策展人。
他以艺术家、设计师和教育者的多重身份从事艺术与科技研究、教育与实践，他的艺术实践主要关注由虚拟和实体场域共同构建的混合场域叙事。艺术及设计作品曾在58届威尼斯双年展中国馆等国际展览和艺术节中展出，并荣获了美国《亚洲艺术》年度“数字与 AI 艺术家奖”、德国IF设计奖、红点设计奖、德国设计奖特别奖和亚洲最具影响力设计大奖等荣誉。
Professor and Doctoral Supervisor in the Art and Technology direction at the School of Design, Central Academy of Fine Arts (CAFA); Founder and Creative Director of ART+TECH; Secretary-General of the Digital Art Committee of the China Artists Association. He previously served as the Head of Multimedia Art Consultancy for the China Pavilion at Expo 2025 Osaka, Visual Director of the 2023 CCTV Spring Festival Gala, Director of the Digital Media Studio at the School of Design, CAFA, Curator of the Digital Art Special Exhibition at the Beijing International Art Biennale, Curator of the Beijing Art and Technology Biennale, and Curator of the Beijing Media Art Biennale.
Working as an artist, designer, and educator, he engages in art and technology research, education, and practice. His artistic practice primarily focuses on hybrid field narratives co-constructed by virtual and physical fields. His artworks and designs have been exhibited at international exhibitions and art festivals, including the China Pavilion at the 58th Venice Biennale. He has received numerous honors, including the Asia Art (USA) Annual Digital and AI Artist Award, the German iF Design Award, the Red Dot Design Award, the Special Mention of the German Design Award, and the Design for Asia Grand Award.
周雯
Zhou Wen
周雯，教授，博导。北京师范大学艺术与传媒学院数字媒体系主任、数字创意媒体研究中心主任。教育部高等学校动画、数字媒体专业教指委委员，中国高等教育学会影视传媒专业委员会执行副主任委员 ，中国高校影视学会动画与数字媒体艺术专业委员会副主任委员。研究领域为数字影像、虚拟现实影像。国家社科艺术学重大项目首席专家，主持国家级一流课程，获国家级教学成果奖、教育部人文社科优秀成果奖。
Zhou Wen is a professor and doctoral supervisor. She is Chair of the Department of Digital Media and Director of the Research Center for Digital Creative Media at the School of Arts and Communication, Beijing Normal University.
She serves as a member of the Animation and Digital Media Teaching Steering Committee of the Ministry of Education, Executive Deputy Director of the Film and Television Media Committee of the China Association of Higher Education, and Deputy Director of the Animation and Digital Media Art Committee of the China Higher Education Society of Film and Television.
Her research focuses on digital imaging and virtual reality imaging. She is the principal investigator of a major National Social Science Fund of China project in the arts, leads a national first-class undergraduate course, and has received a National Teaching Achievement Award and an Outstanding Achievement Award in Humanities and Social Sciences from the Ministry of Education.
阿方索・科罗内尔（墨西哥）
Alfonso Coronel
现任墨西哥国立自治大学（UNAM）教授。他拥有艺术与设计博士学位，长期深耕于人工智能（AI）在视听后期制作中的应用及其行业影响。
他在墨西哥国立自治大学国立电影艺术学院（ENAC）任教，同时兼任该校哲学研究所学术研究员与技术专家。其学术研究立足于电影、前沿科技与艺术创作的跨界交叉领域，重点关注人工智能辅助电影制作以及以人为核心的创作工作流。
他是纪录长片《革命浪潮》（La Bola，2026 年）的导演，该片运用前沿人工智能技术，对墨西哥革命的历史影像档案进行了数字化修复与全新解读。
Alfonso Coronel is a Mexican filmmaker, post-production specialist, researcher, and professor at the National Autonomous University of Mexico (UNAM). He holds a Ph.D. in Arts and Design, specializing in the applications and implications of artificial intelligence in audiovisual post-production. He teaches at UNAM's National School of Cinematic Arts (ENAC) and works as an academic researcher and technical specialist at its Institute of Philosophical Research. His work explores the intersection of cinema, technology, and artistic creation, with a particular focus on AI-assisted filmmaking and human-centered creative processes. He is the director of La Bola (Uprising, 2026), a feature-length documentary that uses artificial intelligence to restore and reinterpret historical footage of the Mexican Revolution.
4
D类评委
刘梦雅
Liu Mengya
教授，北京电影学院数字媒体学院院长，国家高层次青年人才，北京市高等学校青年教学名师，北京市“十四五时期”优秀青年人才，中国美协数字艺术委员会委员。研究方向为智能影像创作与沉浸体验设计。主持国家级、省部级课题多项，其创作作品相继斩获多项国内外重要大奖。注重将中华优秀传统文化与前沿科技、艺术深度融合，形成了独具特色的中国审美艺术创作与学术研究成果。
Professor, Dean of the School of Digital Media, Beijing Film Academy;National High-Level Young Talent;Young Distinguished Teacher in Beijing’s Institutions of Higher Education;Outstanding Young Talent of Beijing during the 14th Five-Year Plan Period;Member of the Digital Art Committee of the China Artists Association (CAA);
His/her research focuses on intelligent image creation and immersive experience design. He/she has presided over a number of national and provincial/municipal-level research projects, and his/her creative works have successively won important international and domestic awards. He/she attaches great importance to integrating the excellent traditional Chinese culture with technology and art, and has formed unique academic research achievements and artistic creations featuring Chinese aesthetic styles.
约瑟夫·德拉普（美国/英国）
Joseph DeLappe
约瑟夫·德拉普是国际知名的媒体艺术家，
自 1983 年起投身电子与新媒体艺术创作。现任英国阿伯泰大学（Abertay University）游戏与策略媒体（Games and Tactical Media）教授。他的创作涵盖线上游戏行为艺术、电子游戏、社会行动与政治艺术、素描、绘画、参与式社会实践、雕塑以及机电装置艺术，作品在全球多地广泛展出。
他曾受邀为纽约眼梁艺术与科技中心（Eyebeam）、中国广东美术馆、墨西哥城 Transitio_MX 等国际艺术机构创作委托作品。其艺术实践被大量学术期刊、专业著作以及大众媒体深入报道。
2016 年，他与邓迪生物群落艺术集体（Biome Collective）合作开发围绕无人机战争主题的游戏作品《杀戮空间》（Killbox），该作于 2017 年荣获英国电影和电视艺术学院苏格兰奖（BAFTA Scotland Award）“最佳游戏”提名。2017 年，他荣膺古根海姆学者奖（Guggenheim Fellowship）。
Joseph DeLappe is an internationally recognized media artist, he has been with electronic and new media since 1983. He is Professor of Games and Tactical Media at Abertay University. Works in online gaming performance, video games, activist/political art, drawing, painting, participatory and social practice, sculpture, and electromechanical installation have been shown extensively throughout the world. He has developed works for venues such as Eyebeam Art and Technology in New York, The Guangdong Museum of Art, China and Transitio MX, Mexico City, among many others. Creative works and actions have been featured widely in scholarly journals, books and in the popular media. In 2016 he collaborated with the Biome Collective in Dundee to create “Killbox”, a game about drone warfare that was nominated in 2017 for a BAFTA Scotland in the “Best Computer Game” category. In 2017 he was awarded a Guggenheim Fellowship in the Fine Arts.
芮玛窦（意大利）
Matteo Ravasio
Matteo Ravasio (芮玛窦) ，北京大学艺术学院助理教授。奥克兰大学哲学博士，师从当代著名音乐哲学家斯蒂芬·戴维斯（Stephen Davies）。主要研究领域为分析美学与艺术哲学，尤其深耕于音乐哲学与西方音乐美学史。
他在多本国际顶尖哲学与美学期刊发表学术论文，包括《澳大拉西亚哲学杂志》（Australasian Journal of Philosophy）、《英国美学杂志》（British Journal of Aesthetics）、《美学与艺术批评杂志》（The Journal of Aesthetics and Art Criticism）以及《分析》（Analysis）；并受邀为国际权威的《斯坦福哲学百科全书》（Stanford Encyclopedia of Philosophy）撰写两篇关于西方音乐美学史的特约条目。
Matteo Ravasio is Assistant Professor at Peking University’s School of Arts. His main research and teaching interests are in analytic aesthetics and philosophy of art, with a focus on the philosophy of music and the history of western musical aesthetics.
His research has appeared in international philosophy and aesthetics journals, such as the Australasian Journal of Philosophy, the British Journal of Aesthetics, The Journal of Aesthetics and Art Criticism, and Analysis. He also the author of two entries on the history of western musical aesthetics of the Stanford Encyclopedia of Philosophy.
