【Aniwow! 2026】大师班活动内容官宣

主题 Topic:

生成式人工智能在动画改编中的伦理应用

 Ethical Uses of GenAI for Animated Adaptations

时间 Time:

10月24日（周六）下午15:30-16:30

October 24 (Sat) 15:30-16:30

地点 Location

学院302报告厅

CUC Anima 302

嘉宾 Guest Speaker

汉内斯·拉尔 （英语）

Hans-Martin Hannes Rall

现任新加坡南洋理工大学艺术、设计与媒体学院院长、动画研究领域校长讲席教授，同时也是一位屡获殊荣的导演。他已出版16部著作及书籍章节，出版机构包括哈佛大学出版社、劳特利奇出版社、布鲁姆斯伯里出版社、施普林格出版社和布里尔出版社等知名学术出版机构，相关成果被全球160余家图书馆收藏。在31项竞争性科研资助的支持下，他在人工智能伦理与改编理论领域开展前沿研究，其电影作品亦广受国际赞誉。    

Hans-Martin Rall is  Chair of the School of Art, Design and Media and President’s Chair Professor in Animation Studies at Nanyang Technological University Singapore. He is also a decorated director. His 16 books and book-chapters were published by prestigious presses—including Harvard University Press, Routledge, Bloomsbury, Springer, and Brill— held in over 160 libraries worldwide. Supported by 31 competitive grants, his research pioneers ethical AI and adaptation theory alongside a globally acclaimed filmography.    

主题 Topic:

基于AI世界模型的非实拍内容的演进与未来

—以漫画、动画与游戏为中心

The Evolution and Future of Non-Live-Action Content Based on AI World Models — Focusing on Comics, Animation, and Games

时间 Time:

10月24日（周六）下午16:40-17:40

October 24 (Sat) 16:40-17:40

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

李廷旼（韩语）

이정민 Lee Jung-Min

李廷旼，韩国艺术综合学校动画系教授，2002年任教至今，曾任产学合作团团长、副院长，并兼任高丽大学客座教授、Samir文化财团理事长、CAMPUS Asia+（AAEN）项目责任教授。曾赴美国卡内基梅隆大学娱乐技术中心任访问教授，并出任 PISAF 富川国际学生动画节执行委员会主席。长期担任中国传媒大学、上海大学、吉林动画学院等校客座教授，以及北京动画周等国际赛事评委。曾任 SBS 电视动画《你好，樱桃子》第一季总制作人，著有《与动画的对话》，多次在 SIGGRAPH Asia、釜山国际电影节等国际论坛发表演讲。    

Lee Jung-Min is a professor in the Department of Animation at the Korea National University of Arts, where he has taught since 2002. He has served as head of the Industry-Academic Cooperation Group and as vice dean, and has also been a visiting professor at Korea University, chair of the Samir Cultural Foundation, and principal professor of the CAMPUS Asia+ (AAEN) project. He was a visiting professor at the Entertainment Technology Center at Carnegie Mellon University in the United States and served as executive committee chair of the PISAF Bucheon International Student Animation Festival. He has long served as a visiting professor at institutions including Communication University of China, Shanghai University and Jilin Animation Institute, and as a jury member for international events such as Beijing Animation Week. He was executive producer of the first season of the SBS animated TV series Hello, Cherry Boy, authored Conversations with Animation, and has spoken at forums including SIGGRAPH Asia and the Busan International Film Festival.    

主题 Topic:

动画发生在哪里？

——从银幕上的运动，到参与一个世界

 Where Does Animation Happen?—— From Motion on the Screen to a World That Moves with Us.

时间 Time:

10月25日（周日）下午15:30-16:30

October 25 (Sun) 15:30-16:30

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

刘宝莹

Baoying Bilgeri

刘宝莹本科毕业于中央美术学院，随后赴德深造，毕业于卡塞尔艺术学院的动画专业，并获得了德国艺术院校的最高荣誉毕业生——也就是‘大师生’（Meisterschülerin）称号。目前，任教于著名的德国巴贝尔斯贝格康拉德·沃尔夫电影大学动画系。刘宝莹老师有着丰富的国际动画导演与跨媒介创作经验。她的个人动画短片作品曾多次入选法国昂西、柏林电影节、萨格勒布、斯图加特等国际重要动画影展，并曾荣获黑森电影奖最佳短片，以及德国 FBW‘特别有价值’评级。除动画艺术创作外，在严肃游戏（Serious Games）和互动叙事领域也有12年的从业经验，参与的项目曾多次斩获‘德国计算机游戏奖’。与此同时，刘老师指导的学生作品，曾在奥斯卡学生奖、威尼斯电影节、戛纳电影节等国际舞台上屡获奖项。    

Baoying Bilgeri earned her undergraduate degree from the Central Academy of Fine Arts in China before pursuing further studies in Germany. She graduated in animation from the Kunsthochschule Kassel and received the distinction of Meisterschülerin, one of the highest honors awarded by German art academies. She currently teaches in the Animation Department at the renowned Film University Babelsberg KONRAD WOLF. She has extensive international experience as an animation director and cross-media artist. Her independent animated shorts have been selected for major international festivals, including Annecy, the Berlinale, Zagreb and Stuttgart, and have received awards such as the Hessian Film Award for Best Short Film and the German Film and Media Review (FBW) rating “Especially Valuable.” In addition to animation, she has worked in serious games and interactive storytelling for 12 years, with projects that have won the German Computer Game Award multiple times. Films made by students she has mentored have also received awards at events including the Student Academy Awards, Venice Film Festival and Cannes Film Festival.

时间 Time:

10月26日（周一）下午13:30-15:00

October 26 (Mon) 13:30-15:00

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

王思莲（法语）

Tina Schwizgebel-Wang

王思莲是一位瑞士跨领域艺术家，创作涵盖版画、绘画、时装设计、陶艺和平面设计。她曾两度获得瑞士卢塞恩 Fumetto 国际漫画节一等奖；其时装作品曾获法国耶尔国际时装、摄影与配饰节 Chloé 奖。她的作品曾刊登于《Vogue》法国版，并受到瑞士、德国、意大利及其他国际媒体报道。她的版画定期在瑞士、法国和中国展出，部分铜版画被瑞士卡鲁日博物馆收藏；作品也收录于以海洋为主题的出版物《Sillages》。2025年，瑞士出版社 Art & Fiction 出版了她的书《十一月》，并在瑞士多个城市举办活动及签售。她曾在上海等地参加艺术驻留和展览，并担任日内瓦 Animatou 与巴登 Fantoche 两个国际动画电影节的评审。她受过大提琴训练，曾与哥哥在父亲、电影导演乔治·史威茨格贝尔执导的动画片《Romance》中演奏拉赫玛尼诺夫的一首钢琴与大提琴作品。2026年，她还与音乐人 Mickaël Halley 合作，为其父亲执导的广岛国际动画电影节预告片创作配乐。她跨越不同艺术领域，以开放而独特的视角探索多种艺术创作形式与视觉叙事。    

Tina Schwizgebel-Wang is a Swiss multidisciplinary artist whose practice encompasses printmaking, painting, fashion design, ceramics, and graphic design.She has won First Prize twice at the Fumetto International Comics Festival in Lucerne, Switzerland. For her fashion creations, she received the Chloé Award at the International Festival of Fashion, Photography and Accessories in Hyères, France. Her work has been featured in Vogue France and covered by numerous Swiss, German, Italian, and international media outlets.Her engravings are regularly exhibited in Switzerland, France, and China. Several of her copper engravings have been acquired by the Musée de Carouge in Switzerland, and her work is featured in Sillages, a publication dedicated to the ocean. In 2025, the Swiss publishing house Art & Fiction published her book Novembre, which was presented through events and book signings in several Swiss cities.Her artistic journey has taken her to various residencies and exhibitions, notably in Shanghai. She has also served on the juries of Animatou in Geneva and Fantoche in Baden, two international animation film festivals.Trained as a cellist, she performed a piece for piano and cello by Rachmaninoff with her brother in the animated film Romance, directed by her father, filmmaker Georges Schwizgebel. In 2026, she also collaborated with musician Mickaël Halley on the soundtrack for the trailer of the Hiroshima International Animation Festival, directed by her father.Working across disciplines, she brings an open and distinctive perspective to different forms of artistic creation and visual storytelling.    

时间 Time:

10月26日（周一）下午15:30-17:00

October 26 (Mon) 15:30-17:00

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

约瑟夫·德拉普（英语）

Joseph DeLappe

约瑟夫·德拉普（Joseph DeLappe）是一位国际知名的媒体艺术家，自1983年以来一直从事电子与新媒体艺术创作。他是阿伯泰大学游戏与战术媒体教授。其创作涵盖在线游戏表演、电子游戏、行动主义/政治艺术、素描、绘画、参与式与社会实践、雕塑以及机电装置，并在世界各地广泛展出。他曾为纽约Eyebeam艺术与技术中心、中国广东美术馆、墨西哥城Transitio MX等众多机构创作作品。其创作作品与艺术行动曾在学术期刊、书籍和大众媒体上被广泛报道。2016年，他与邓迪的Biome Collective合作创作了《Killbox》——一款关于无人机战争的游戏，该作品于2017年获英国电影学院奖苏格兰分部“最佳电脑游戏”类别提名。2017年，他获得古根海姆基金会美术类奖学金。        

Joseph DeLappe is an internationally recognized media artist, he has been with electronic and new media since 1983. He is Professor of Games and Tactical Media at Abertay University. Works in online gaming performance, video games, activist/political art, drawing, painting, participatory and social practice, sculpture, and electromechanical installation have been shown extensively throughout the world. He has developed works for venues such as Eyebeam Art and Technology in New York, The Guangdong Museum of Art, China and Transitio MX, Mexico City, among many others. Creative works and actions have been featured widely in scholarly journals, books and in the popular media. In 2016 he collaborated with the Biome Collective in Dundee to create “Killbox”, a game about drone warfare that was nominated in 2017 for a BAFTA Scotland in the “Best Computer Game” category. In 2017 he was awarded a Guggenheim Fellowship in the Fine Arts.  

主题 Topic:

动画电影创作漫谈

时间 Time:

10月27日（周二）上午10:00-11:00

October 27 (Tue) 10:00-11:00

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

赵霁

Zhao Ji

赵霁，动画导演，曾就读于中国传媒大学及美国加州大学洛杉矶分校，拥有超过十年电影创作工作经验。导演代表作：《白蛇：缘起》 《新神榜：哪吒重生》 《新神榜：杨戬》所获奖项：《白蛇：缘起》提名第32届中国电影金鸡奖最佳美术片、荣获第16届中国动漫金龙奖最佳动画长片奖银奖《新神榜：哪吒重生》入围2020年法国昂西国际动画电影节“WIP”单元《新神榜：杨戬》荣获第19届中国动漫金龙奖最佳动画长片奖金奖及最佳动画导演奖    

Zhao Ji is an animation director who studied at the Communication University of China and the University of California, Los Angeles, and has more than ten years of experience in film production. His notable directorial works include White Snake: The Origin, New Gods: Nezha Reborn, and New Gods: Yang Jian. White Snake: The Origin was nominated for Best Art Film at the 32nd Golden Rooster Awards and won the Silver Award for Best Animated Feature at the 16th China Animation Golden Dragon Awards. New Gods: Nezha Reborn was selected for the Work in Progress (WIP) section of the 2020 Annecy International Animation Film Festival. New Gods: Yang Jian won the Gold Award for Best Animated Feature and the Best Animation Director Award at the 19th China Animation Golden Dragon Awards.    

时间 Time:

10月27日（周二）下午14:00-15:30

October 27 (Tue) 14:00-15:30

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

玛丽-波利娜·莫拉雷（法语）

Marie-Pauline Mollaret

玛丽-波利娜·莫拉雷是一位常驻巴黎的法国影评人和电影策展人。她是戛纳导演双周选片委员会成员，并与多个电影节合作，包括法国昂西国际动画电影节、加拿大蒙特利尔新电影节和巴黎国际动画电影节。她也撰写电影评论，并在索邦新大学教授电影批评与电影策展。此前，她曾在戛纳影评人周选片委员会任职八年。    

Marie-Pauline Mollaret is a French film critic and curator based in Paris. She’s part of the selection committee of the Directors' Fortnight in Cannes and works for different festivals including the Annecy International Animation Film Festival, the Festival du Nouveau Cinéma in Montreal, and the Paris International Animation Film Festival. She also writes about cinema, and teaches Film criticism and Film programming at the La Sorbonne Nouvelle university. She previously served on the selection committee of the Cannes Critics’ Week for eight years.    

主题 Topic:

蒂博的动画旅程

Thibaut Delahaye - A Journey in Animation

时间 Time:

10月27日（周二）下午16:00-17:30

October 27 (Tue) 16:00-17:30

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

蒂博·德拉艾（法语）

Thibaut Delahaye

蒂博·德拉艾是一位动画总监和首席动画师，在长片、电视剧集及电子游戏领域拥有26年经验。最近，他担任动画电影《猫猫的奇幻漂流》（荣获2025年奥斯卡奖、凯撒奖、金球奖及安妮奖最佳动画长片）的动画总监，带领12至16名动画师团队，负责四足动物及奇幻生物的动作表演。    

Animation Supervisor & Lead Animator with 26 years of experience in feature films, TV series, and video games. Most recently Animation Supervisor on Flow (Academy Award, César, Golden Globe, Annie Award — Best Animated Feature 2025), leading a team of 12–16 animators on quadruped and creature performance.     

主题 Topic:

少走弯路：独立游戏立项到发行的实战经验

Avoiding Pitfalls: Practical Lessons from Indie Game Concept to Release

时间 Time:

10月28日（周三）上午9:30-10:30

October 28 (Wed) 9:30-10:30

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

鬼谷张三

Guigu Zhangsan

鬼谷张三，《鬼谷八荒》制作人。鬼谷八荒是一款开放世界沙盒修仙游戏，21年上线首月销量180万份，STEAM同时在线超18万人，总销量超680万份，位列国产单机游戏销量第二。    

Guigu Zhangsan is the producer of Tale of Immortal, an open-world sandbox game centered on cultivation and the pursuit of immortality. Released in 2021, the game sold 1.8 million copies in its first month and reached over 180,000 concurrent players on Steam. With total sales exceeding 6.8 million copies, it ranks as the second best-selling Chinese-developed single-player game.    

主题 Topic:

游戏、交互性与价值

Games, Interactivity, and Value

时间 Time:

10月28日（周三）上午10:40-12:00

October28 (Wed) 10:40-12:00

地点 Location

学院302报告厅

CUC Anima 302

嘉宾  Guest Speaker

芮玛窦（英语）

Matteo Ravasio

Matteo Ravasio (芮玛窦) ，北京大学艺术学院助理教授。奥克兰大学哲学博士，师从著名音乐哲学家Stephen Davies。主要的研究兴趣集中在分析美学和艺术哲学，特别是音乐哲学和音乐美学史方面。曾在国际哲学和美学期刊，如《澳大利亚哲学杂志》、《英国美学杂志》、《美学与艺术批评杂志》以及《分析》杂志上发表多篇文章，并为《斯坦福哲学百科全书》撰写了两篇关于西方音乐美学史的条目。    

Matteo Ravasio  is Assistant Professor at the School of Arts, Peking University. He received his PhD in Philosophy from the University of Auckland, where he studied under the renowned philosopher of music Stephen Davies. His main research interests lie in analytic aesthetics and the philosophy of art, especially the philosophy of music and the history of music aesthetics. He has published a number of articles in international philosophy and aesthetics journals, including the Australasian Journal of Philosophy, the British Journal of Aesthetics, The Journal of Aesthetics and Art Criticism, and Analysis, and has written two entries on the history of Western music aesthetics for the Stanford Encyclopedia of Philosophy.    

主题 Topic:

韩国网络漫画产业：

市场变局下的行业现状与内容策划策略

The Korean Webtoon Industry: Current Landscape and Content Planning Strategy in a Shifting Market    

时间 Time:

10月27日（周三）下午13:30-15:30

October 27 (Tue) 13:30-15:30

地点 Location

学院324报告厅

CUC Anima 324

嘉宾  Guest Speaker

李顺基

이순기 Lee Soon-Ki

李顺基是世宗大学漫画与动画技术系教授兼系主任，同时担任该校创意软件学部主任。他目前还担任世宗大学“首尔锚点项目”副主任，以及韩国内容振兴院（KOCCA）“精英网漫创作者培养项目”副总负责人。作为创作者，他正在 Naver Webtoon 上为北美市场连载《Marriage Blues》；此前作品包括《Love Roasting》（2024–25）、《Another Love》（2022–23）和《It Was All You》（2021–23），这些作品曾在美国、日本、西班牙、法国和台湾同步上线。作为 SECAN STUDIO 的执行董事，他为 Naver Webtoon 制作了《God's Butler》和《Does God Play Dice?》，其中《God's Butler》已获电视剧改编权。他担任韩国漫画动画学会和韩国角色学会理事，研究领域为网漫叙事结构与 AI 融合制作。    

Lee Soon-Ki is a Professor and Head of the Department of Cartoon & Animation Technology at Sejong University, where he also serves as Head of the Division of Creative Software. He currently serves as Deputy Director of Sejong University's Seoul Anchor Project and as Deputy General Director of KOCCA's Elite Webtoon Creator Development Program. As a creator, he is serializing Marriage Blues on Naver Webtoon for the North American market, following Love Roasting (2024–25), Another Love (2022–23) and It Was All You (2021–23), which were released simultaneously in the United States, Japan, Spain, France and Taiwan. As Executive Director of SECAN STUDIO he produced God's Butler and Does God Play Dice? for Naver Webtoon, with God's Butler optioned for drama adaptation. He sits on the boards of the Korean Society of Cartoon and Animation Studies and the Korean Society of Character Studies, and his research addresses webtoon storytelling structure and AI-integrated production.    

主题 Topic:

漫画过时了吗—— 是的没错！ 就像你想象的那样

Are Comics Outdated? 

— Yes, Indeed! Just as You Might Think

时间 Time:

10月27日（周二）下午13:30-15:30

October 27 (Tue)13:30-15:30

地点 Location

学院324报告厅

CUC Anima 324

嘉宾  Guest Speaker

孙恒 

Sun Heng

自幼喜欢动画。曾任腾讯游戏《怪物猎人网络版》主美，期间调入其北极光工作室开发自研项目。2011年后后从事动漫行业至今。曾创作并开发《雏蜂》 《侍灵演武》《末世渡鸦》《天才J》《蔚蓝战争》《第五纪元》等项目。期间同时参与《雏蜂》《侍灵演武》《天才J》《亮码吧！爸爸》《点赞成神》等动画影视开发工作，以及各类大小游戏、动画的前期和后期产品开发工作。 
其中《侍灵演武》曾是优酷旗下第一部中日合拍并反销日本的二次元原创动漫。《雏蜂》曾是中国第一部正式的二次元科幻动漫。并产生了中国第一只品相国际化的手办产品。后期拼装模型 雕像等衍生品不断。其漫画为国内最长寿连载，至今已经16年。曾获 “亚洲青年影像大赛金奖” “金龙奖最佳故事长篇” “北京市职业技术大赛影视板块最佳技能奖” “金猴奖最佳导演奖” “中国科幻大赛最佳动画短片入围”等  奖项,现认哔哩哔哩动画部导演。    

Passionate about animation since childhood, he previously served as Lead Artist on Tencent Games’ Monster Hunter Online, later transferring to its Aurora Studio to develop an original in-house project. He has worked in the comics and animation industry since 2011, creating and developing projects including B.E.E, Soul Buster, Doomsday Raven, Genius J , Azure Wars , and The Fifth Era. He has also participated in the development of animated and live-action productions, including B.E.E., Soul Buster, Genius J, Show Your Code, Dad! , and Ascension Through Likes , alongside pre-production and downstream product development for games and animation projects of various scales.Soul Buster was Youku’s first original anime-style Chinese–Japanese co-production to be subsequently distributed in Japan. B.E.E. was China’s first fully fledged anime-style science-fiction animation and gave rise to the country’s first collectible figure with an internationally competitive finish, followed by model kits, statues, and other merchandise. Its source comic is one of China’s longest-running comic series, with 16 years of serialization to date.His accolades include a Gold Award at the Asian Youth Film and Video Competition, the Golden Dragon Award for Best Long-Form Story, the Best Skills Award in the Film and Television category of the Beijing Vocational Skills Competition, and the Golden Monkey Award for Best Director. His work has also been shortlisted for Best Animated Short at the China Science Fiction Competition. He currently serves as a director in Bilibili’s Animation Department.