​【Aniwow! 2026】特别展映内容官宣

本届Aniwow! 联合瑞士驻华使馆文化处为大家呈现由瑞士著名动画导演的长片动画作品《玛丽·安宁：化石猎人》。本片入围了2025年昂西动画节与洛迦诺电影节。

This year, Aniwow!, in collaboration with the Cultural Section of the Embassy of Switzerland in China, presents “Mary Anning”, an animated feature by acclaimed Swiss director Marcel Barelli. The film was selected for the 2025 Annecy International Animation Film Festival and Locarno Film Festival.

时间 Time

10月24日（周六）19:30-21:00

October 24 (Sat)19:30-21:00

地点 Location

学院302报告厅

CUC Anima 302

马塞尔·巴雷利，瑞士最成功的动画导演之一，擅长创作动画纪录片。

Marcel Barelli, one of Switzerland’s most successful animation filmmakers and specialises in anidocs.

如果动画可以创造任何事物，我们为什么仍然需要现实？从手工制作的布料与丝线，到计算机生成的数字空间，再到人工智能不断演算的未知图像，动画始终是一种能够重新组织现实的电影语言。它可以赋予记忆以形状，让雕塑重新获得生命，也可以让从未存在的人物开始呼吸、行动，甚至质疑自己的创造者。

本次 VITA SHORTS 特别展映，从2026年度「剧场」、「音乐」和即梦AI联合发起的「绿洲：AI 短片竞赛」三个单元中，选取九部具有不同创作方法的动画短片。它们并不共享某一种视觉风格，而是分别从材料、身体、声音、叙事与生成技术出发，探索动画如何建立自己的世界。

《象像》《忘川》与《完美之城：蘑菇》将动画带入记忆、死亡与情感的内部空间；《眼球》以寓言式的视觉表达重新讲述爱与自由；而《喜喜》《潜空间》《我只是不知道该如何降落》《失控》与《梦中之梦》，则在人工智能与数字影像的创作实践中，尝试建立新的视觉经验与叙事关系。

这些作品也提出了一个共同的问题：当影像的生成方式不断改变，动画的创造性究竟来自技术本身，还是创作者对于形式、情感与观看经验的判断？动画没有固定的形状，而它的下一种可能，或许就诞生在这些尚未被定义的边界之间。

If animation can bring anything into existence, why do we still need reality? From hand-crafted fabrics and threads to computer-generated digital spaces and the unpredictable images continuously produced by artificial intelligence, animation has always been a cinematic language capable of reimagining reality. It can give shape to memories, bring sculptures back to life, and allow characters who have never existed to breathe, move, and even question their own creators.

For this special screening, VITA SHORTS presents nine animated short films selected from three programmes of its 2026 edition: “Theatre,” “Music,” and “OASIS: AI Short Film Competition,” the latter jointly initiated with Jimeng AI. Rather than sharing a particular visual style, these works approach animation through different creative methods, exploring materials, the body, sound, storytelling, and generative technologies to construct worlds of their own.

The Forever Elephant, Lethe, and Perfect City: The Mushroom explore the inner landscapes of memory, death, and emotion through animation. Eyeball revisits love and freedom through allegorical visual storytelling. Meanwhile, Wedding Time, Latent, Don’t Know How to Land, Out of Control, and Dream Within a Dream experiment with artificial intelligence and digital imagery, seeking new visual experiences and narrative possibilities.

Together, these films raise a shared question: As the ways images are produced continue to evolve, does the creativity of animation lie in technology itself, or in the filmmaker’s decisions about form, emotion, and the experience of watching? Animation has no fixed form. Perhaps its next possibilities will emerge precisely at these boundaries that have yet to be defined.

时间 Time

10月25日（周日）19:30-21:00

 October 25 (Sun)19:30-21:00

地点 Location

学院302报告厅

CUC Anima 302

象像 The Forever Elephant

孙逸阳 Sun Yiyang｜8’｜2025

你将经历一场象的葬礼，与图像重生的仪式。

You will experience a funeral for an elephant—a ritual of the image's rebirth.

忘川 Lethe

黄亮昕 HuangLiang-Hsin｜8’｜2026

晚年罹患阿兹海默症的雕塑家杉在死后抵达了忘川Lethe的彼岸，开启了一段遇见自己雕塑、记忆的航行。记忆如波光般明灭流转，他在遗忘与忆起中徘徊，缓缓拼凑出与女儿的珍贵的回忆。

In his later years, the sculptor Shan, who had been diagnosed with Alzheimer's disease, arrived on the opposite bank of the Lethe after his passing, embarking on a journey to rediscover his sculptures and his memories. His memories flickered like rippling waves; he wandered between forgetting and recalling, gradually piecing together precious memories of his daughter.

完美之城：蘑菇

Perfect City: The Mushroom

周圣崴 Zhou Shengwei｜15’｜2026

创伤像隐藏于现实里的菌丝，编织成一张潜意识的网络。耄耋妇人得知弟弟离世，四十年前亲手雕刻的蘑菇雕塑坍塌溶解，如同海啸般席卷她的意识，化作挥之不去的梦魇，缠绕她余生的记忆。《完美之城》动画系列第三集，以布料及丝线，探索被记忆缠绵的伤口。

Trauma resembles mycelium hidden within reality, weaving itself into a network of the subconscious. Upon learning of her younger brother's passing, an octogenarian woman witnesses the mushroom sculpture she personally carved forty years ago collapse and dissolve—a phenomenon that sweeps through her consciousness like a tsunami, transforming into an inescapable nightmare that entwines with her memories for the remainder of her life. In the third episode of the animated series *The Perfect City*, the narrative employs fabric and thread to explore the wounds entangled by memory.

眼球 Eyeball

西风 Xifeng｜5’｜2026

在废弃工厂的眼球状建筑中，两只鸽子为了爱与自由奋不顾身，隔着铁窗演绎了一场生死悲歌。

Within the eye-shaped structure of an abandoned factory, two pigeons, driven by love and freedom, risked everything to perform a poignant ballad of life and death across the iron bars.

喜喜 Wedding Time

盘小君 Pan Xiaojun｜4’｜2026

这是一部完全交由 AI 生成的实验动画短片。在一个后室风格的域限空间里，上演着一场怪诞婚礼，观众始终处在上帝的视角，观察着这一切。由此来反思现代婚姻焦虑、家庭结构以及两性关系。

This is an experimental animated short film entirely generated by AI. Set within a post-apocalyptic confined space, it depicts a grotesque wedding, with the audience consistently positioned from a divine perspective to observe the entire sequence. Through this lens, the film invites reflection on contemporary marital anxieties, family structures, and gender dynamics.

潜空间 Latent

郑华旭 Bloom Bai｜8’｜2026

一个画家把一个从没亮相过的角色上传进Al，只想看他动一次。那个角色掉进了系统底层，一路往上找画他的人。第一集讲述了男主坠入死频荒漠，第一次呼吸、第一次站起来、第一次发出声音。他不记得自己是谁，身上只有左手拇指根部一个擦不掉的签名和一个空的随身听。在死频，男主遇见了话多、会卡、胸前带打印机的小机器人卡壳，两人一起在潜空间中寻找“自己是谁”的答案。当天空巨物苏醒、万物如雨坠落，他们躲进石缝里抱在一起。而一公里外，老克正骑着摩托冲进紫色风暴。而在死频的尽头还有一座城...

A painter uploads a character he has never portrayed into AI, hoping merely to observe it move once. That character descends to the lowest layer of the system, ascending step by step to trace back to its creator. The first episode follows the protagonist as he plunges into the Death Frequency Desert—his first breath, his first stand, and his first sound. He has no memory of who he is; all he possesses is an indelible signature at the base of his left thumb and an empty portable music player. Within the Death Frequency, the protagonist encounters a talkative little robot named Ka—equipped with a printer on its chest—that malfunctions; together, they venture into the subliminal space in search of the answer to who am I? Just then, a colossal entity in the sky awakens, and everything begins to fall like rain; they hide in a crevice in the rock, embracing each other. Meanwhile, one kilometer away, Lao Ke rides his motorcycle through a purple storm. At the very end of the Death Frequency lies a city...

 我只是不知道该如何降落

Don't Know How to Land

于晓涵 Yu Xiaohan｜5’｜2026

本片灵感源自2018年美国西雅图塔科马国际机场真实发生的飞机被盗事件。女主希尔（Hill）驾驶飞机穿越夜空——这是她人生中第一次飞行，也可能是最后一次。两架战斗机升空追随，她却用玩笑回应，并向飞行员讲述了一段虎鲸母子的故事。飞行途中，希尔似乎接收到了已逝祖母的“教导和提示”，循着她的声音，希尔决绝地飞向远方。

This film is inspired by a real-life aircraft theft incident at Tacoma International Airport in Seattle, USA, in 2018. The female protagonist, Hill, pilots an aircraft across the night sky—her first flight in life, and perhaps her last. As two fighter jets take off to pursue her, she responds with a joke and shares a story about a mother and her calf ororca with the pilots. During the flight, Hill seems to receive guidance and hints from her late grandmother; following her voice, she sets off decisively toward the distant horizon.

失控 OUT OF CONTROL

田俊超 Tian Junchao｜9’｜2026

“代理战争”结束后，所有觉醒机器被宣布销毁，世界恢复了秩序，人类的暴力却从未消失。 长期遭受霸凌的少年 Cole，在废墟中意外唤醒了被遗弃的机器 R117。它教他站稳、出拳、反击，也一步步放大他的恐惧与仇恨。 当 Cole 终于拥有反抗的力量，他开始无法确定：此刻挥出的拳头，究竟来自自己的意志，还是另一个意识早已替他做出了选择？ 《失控》以近未来科幻为外壳，探讨暴力、自我意识与自由意志的边界。

After the proxy war ended, all awakened machines were ordered to be destroyed, and order was restored across the world; yet human violence had never truly vanished. Cole, a youth who had long endured bullying, accidentally awakened the abandoned machine R117 amidst the ruins. The machine taught him to stand firm, to throw punches, and to fight back—yet it also gradually amplified his fear and hatred. When Cole finally possesses the power to resist, he begins to wonder: does the punch he now delivers stem from his own will, or has another consciousness already made the choice for him? *Out of Control* uses a near-future sci-fi setting to explore the boundaries between violence, self-awareness, and free will.

梦中之梦 Dream Within a Dream

周亚欧 Zhou Yaou｜9’｜2026

一个看似日常的下午，三个电影学院的学生坐在图书馆里闲聊。一场即兴的“你画我猜”让三个人都画下了和水有关的内容，话题随之转向更私人的领域——童年的梦境、母亲反复提起的故事、恐怖电影里被附身的桥段，以及桌上那张已经不再像自己的学生证…… 直到其中一个人真的闭上眼睛，模仿起被附身的样子，那条本属于游戏的边界，在这间图书馆里被悄悄越过。究竟是一场玩笑，一次灵异事件，还是一场更深的梦？

On an ordinary afternoon, three students from a film academy sat in the library chatting. An impromptu game of Guess What led all three of them to draw images related to water; their conversation then shifted toward more personal subjects—dreams from their childhood, stories their mothers often recounted, scenes of being possessed in horror films, and the student ID card on the table, which no longer bore their likeness... Then, one of them actually closed their eyes and began to mimic the act of being possessed; in that moment, the boundary of the game was quietly crossed within the confines of the library. Was it merely a joke? An paranormal occurrence? Or perhaps, a deeper dream?

Post Screening Guests

VITA SHORTS 策展顾问

宋晓佳 Annie Song

宋晓佳，制片人、策展人。毕业于加州大学伯克利分校电影学系。参与制作发行柏林电影节、金马入围影片《大世界》《空山异客》。2022年担任韦永垚导演、李康生主演长片作品《风过犹存》制片人，于釜山国际电影节首映。2024年担任长片作品《我们在河畔希望被鱼怪吃掉》制片人。担任陈翠梅导演电影《我是你美丽中的美丽，我是你恐怖中的恐怖》制片人，于威尼斯国际电影节首映。曾入选釜山电影节亚洲电影学院、Talents Tokyo、新加坡国际电影节制片人实验室以及富川电影学院。现任北京林象文化艺术总监、上海VITA Shorts策展顾问。

Annie Song is a film producer who graduated from the University of California, Berkeley. In the early stages of her career, she participated in the production of Have a Nice Day (2017), Ghost in the Mountains (2017), and A Yangtze Landscape (2017). She later produced The Wind Will Say (2022), which premiered at the Busan International Film Festival. Her recent work Frankenfish by the River (2024) was selected by WIP in the HKIFF Industry Project Market and Focus Asia of the Far East Film Festival. Passionate about cross-cultural collaboration, she co-produced I AM The Beauty of Your Beauty, I AM The Fear of Your Fear (2024) with Malaysian director Tan Chui Mui. In 2024, she was selected for the BIFF Chanel X Asian Film Academy, Talents Tokyo, and SGIFF Asian Producers' Network. Her upcoming productions include The Grand Village Priest and The Dinosaur Boy, both currently in development.

《我只是不知道该如何降落》导演

于晓涵 Yu Xiaohan

于晓涵，艺术创作者、高校教师，2021年毕业于北京电影学院跨媒体艺术专业。其创作长期聚焦实验影像、AIGC艺术、数字绘画等形式，多围绕身份、身体、性别、生态及技术感知等议题展开。

Yu Xiaohan, an artist and university lecturer. She graduated from the Cross-Media Art program at Beijing Film Academy in 2021. Her artistic practice has long focused on experimental moving image, AIGC art, and digital painting, exploring themes such as identity, the body, gender, ecology, and technologically mediated perception.

《梦中之梦》导演

周亚欧 Zhou Yaou

周亚欧，本科毕业于北京电影学院新媒体艺术专业，现于本校攻读当代艺术创作方向硕士研究生。创作以影像为主要媒介，关注技术介入下的身体、感知与现实经验。作品曾获2025 VACAT国际金奖、第十届86358贾家庄短片周AIGC单元最佳影片，并入围昂西国际动画电影节AI动画国际峰会、德黑兰国际短片电影节国际竞赛等多个国内外影展及艺术展。

Zhou Yaou graduated from the New Media Art program at Beijing Film Academy and is currently pursuing a master’s degree in Contemporary Art Practice at the same institution. Working primarily with moving image, her practice explores the ways technology intervenes in the body, perception, and lived reality. Her works have received the 2025 VACAT International Gold Award and Best Film in the AIGC Section at the 10th 86358 Jia Village Short Film Week, and have been selected for the Annecy International Animation Film Festival AI Animation Summit, the Tehran International Short Film Festival International Competition, and other film and art festivals in China and abroad.

《忘川》国际发行

张宇旋 Zhang Yuxuan 

张宇旋，导演、编剧、制片人。毕业于巴黎第八大学、法国高等国家影像与声音职业学院La Fémis。其创作作品曾获法国国家电影中心CNC资助，并入围翠贝卡电影节、温哥华国际电影节、上海国际电影节等国内外知名影展。2024年联合创立INWAVE FILMS。

Yuxuan Zhang is a director, screenwriter, and producer. He graduated from Université Paris 8 Vincennes–Saint-Denis and La Fémis in France. His works have received support from the CNC, the French national film fund, and have been selected by renowned film festivals around the world, including Tribeca Festival, Vancouver International Film Festival, and Shanghai International Film Festival. In 2024, he co-founded INWAVE FILMS.

本单元由墨西哥动画资料馆策划，呈现一系列源于调研过程的动画短片。在这些作品中，动画成为思考、实验与提出新问题的空间。

调研最初可能立足于历史、科学、社会、个人经验、艺术及／或技术，并在某个时刻转化为动态影像。

每部短片与孕育它的最初探索之间，仍保有怎样的联系？

This programme is curated by Mexican Animation Archive, presenting short films emerging from research processes that find in animation a space to think, experiment and generate new questions.

The research begins as a historical, scientific, social, personal, artistic and/or technological enquiry — and at some point becomes an animated image.

What relationship does each short film retain with the enquiry that gave rise to it?

时间 Time

10月26日（周一）19:30-21:00

 October 26 (Mon) 19:30-21:00

地点 Location

学院302报告厅

CUC Anima 302

主题 Topic

调研、创作、思考，无谓先后。

Research, animate, think. In no particular order.

导演Director: Adriana Ronquillo

时长Runtime: 18’

《Ticho》是一部充满诗意的动画短片，讲述了一名年轻矿工深入地底世界的故事。他在通往疯狂的旅途中经历的那些意外记忆，引导我们领悟：在人类野心留下的废墟之下，感受迷失究竟意味着什么。这部短片由墨西哥艺术家 Adriana Ronquillo 耗时三年亲手打造，并得到一支严谨的艺术家团队的协助，以及 20 位音乐家参与原创原声带创作。

Ticho is a poetic animation that tells the story of a young miner descending into the bowels of the earth. The unexpected memories he goes through on his journey into madness invite us to understand what it means to feel lost under the ruins left by human ambition. This short film was handcrafted during 3 years by Mexican artist Adriana Ronquillo with the help of a meticulous team of artists and the participation of 20 musicians in the original soundtrack. 

导演Director:Andrea Gudiño

时长Runtime:5’20”

一片景致悄然消逝，风开始改变它看似不可撼动的模样：时而如一线生机，时而如一场灾祸。一本记录着这些景致的笔记本，正贪婪地试图捕捉这些变迁。

A landscape disappears and the wind begins to transform what it seems immovable: sometimes like a breath of life, sometimes like a disaster. A notebook of landscapes voraciously strives to document these changes.

导演Director: Andrea Guizar

时长Runtime: 12’

《无牙》是一部由牙科解剖学书籍、冷门杂志以及从网络搜集的视频配乐拼接而成的拼贴电影。它是一场关于欲望与匮乏的思辨之作，也是一场关于“无牙”状态的宏大探索之旅。

“Toothless” is a collage film constructed from dental anatomy books, esoteric magazines, and soundtracks from videos found online. It is an essay on desire and lack. An epic journey into toothlessness.

导演Director: Flor Guga

时长Duration: 2’

通过借用影像与记忆，这位导演为她祖父塞西利奥勾勒出一幅虚构的肖像。

Through borrowed images and memories, the director creates an imaginary portrait of her grandfather, Cecilio.

万事皆有时

THERE IS A TIME FOR EVERYTHING

导演Directors: Tania de León Yong and José Ángel García Moreno

时长Runtime: 5’20”

这是一部关于时间以及审视时间的短片。万物皆有其时：有静默之时，有言说之时；有爱之时，亦有恨之时。

This is a short film about time and the act of contemplating time. There is a time for everything. A time to be silent and a time to speak, a time to love and a time to hate.

黑痕 LA MANCHA NEGRA

导演Director: Yareni Velázquez Mendoza

时长Runtime: 5’

这是一个关于一位女性的故事——她自幼被告知自己是一抹“黑痕”，并深信黑暗便是她的宿命。然而，她在人生旅途中经历的种种磨难，却让她赋予这抹“黑痕”新的意义，将其蜕变为截然不同的存在。

This is the story of a woman who was told from a young age that she was a black stain, and who grew up believing that darkness was her destiny. However, the adversities she faced throughout her life allowed her to give new meaning to that stain and transform it into something else.

中央批发市场制造

MADE IN CENTRAL DE ABASTOS

导演Director: Carlos Gamboa

时长Duration: 3’28’’

《中央批发市场制造》聚焦拉丁美洲最大的市场——墨西哥城中央批发市场，以短片形式捕捉这座市场在24小时内焕发的蓬勃活力。影片沿着为这座城市提供物资的供应链展开探索，通过各类集装箱与产品流线的动态，展现这一商业生态的运转图景。

“Made in Central de Abastos”  is a portrait of Latin America’s largest market: Mexico City’s Central de Abastos. The short film captures the energy that transforms within the market over the course of twenty-four hours. It is a journey through the circuit that supplies the city, driven by the various containers and flows of products.

Introduced by

Andrea Guizar 安德烈娅·吉萨尔

安德烈娅·吉萨尔（Andrea Guízar）1989年出生于墨西哥城。她曾在墨西哥国立自治大学（UNAM）学习现代意大利语言文学，后于波兰罗兹国立电影学院获得动画与特效硕士学位，目前正在墨西哥国立自治大学攻读视觉艺术博士学位。

她编剧并执导的短片作品曾在法国昂西国际动画电影节、瑞典乌普萨拉短片电影节、芬兰坦佩雷短片电影节及墨西哥莫雷利亚国际电影节等国内外电影节展映并获得荣誉。

Andrea Guízar was born in Mexico City in 1989. She studied Modern Italian Language and Literature at UNAM and earned an MA in Animation and Special Effects at the Polish National Film School in Łódź. She is currently pursuing a PhD in Visual Arts at the Universidad Nacional Autónoma de México (UNAM). Her films have screened and received distinctions at national and international film festivals, including the Annecy International Animation Film Festival (France), Uppsala Short Film Festival (Sweden), Tampere Short Film Festival (Finland), and the Morelia International Film Festival (Mexico).

Showreel是沙特阿拉伯首个国际大学生电影节，由位于吉达的埃法特大学电影艺术学院每年举办。Aniwow! 首次联合Showreel电影节，挑选了一组往年获奖的沙特学生动画短片，参加本次非竞赛展映。

Showreel is Saudi Arabia's first international student film festival, organized annually by the School of Cinematic Arts at Effat University in Jeddah. For the first time, Aniwow! partners with the Showreel Film Festival to present a selection of award-winning Saudi student animated shorts from previous editions as part of this year’s non-competitive screening programme.

时间 Time

10月27日（周二）19:30-21:00

 October 27 (Tue) 19:30-21:00

地点 Location

学院302报告厅

CUC Anima 302

流星之夜 Laylat Alshuhb

时长Duration:9'45

在阿尔乌拉村的深处，纺织手工艺人莱拉正努力让自己的才华获得认可。然而，当她的野心超出自身能力的极限时，她不得不面对严峻的考验，这些考验最终引导她领悟到成功的另一种定义。

In the heart of AlUla’s villages, Laila, a textile artisan, strives to gain recognition for her talent. But when her ambition exceeds its limits, it confronts her with harsh consequences that lead her to discover a different meaning of success.

课间大冒险 Adventures of Spare Time

时长Duration: 2'39

讲述一名学生在学校虚度业余时光的故事，以及如何高效利用这些时光所面临的挑战。

A story of a student wasting his spare time at school and the challenge of using it efficiently.

商务公文包 Business Bag

时长Duration: 7'11

故事讲述一名年轻人应对工作压力与日常生活的艰辛，而他却意外地发现自己正在利雅得城中追逐自己的飞行包。在这场冒险中，他领略到了这座城市的魅力，并学会了如何重获生活的平衡。

The story follows a young man struggling with work pressure and daily routine. He unexpectedly finds himself chasing his flying bag across the city of Riyadh. Through this adventure, he discovers the beauty of the city and learns how to restore balance in his life

纳季德之门 Gate of Najd

时长Duration: 6'45

纳杰德是一名对西方文化——尤其是摇滚与金属音乐——深感兴趣的少女。她的祖父是一位传统的纳杰德门雕工，代表着一个截然不同的世界。两人之间的差异碰撞，催生出一些神奇、幽默，且出人意料地温馨的故事。

Najd is a teenage girl deeply drawn to Western culture, especially rock and metal music. Her grandfather, a traditional Najdi door woodcarver, represents a contrasting world. The clash between their difference’s sparks something magical, humorous, and unexpectedly heartwarming.

水下的眼泪 Tears Under the Water

时长Duration: 9'14

在彻底毁灭与污染的肆虐之中，一位冒险家发现了海洋中最后一片未受波及的净土；他在此定居，开启了一段虽不道德却颇为成功的捕鱼生涯。

In the middle of total destruction and pollution an adventurer finds the last unharmed area in the ocean, he settles in and starts an unethically successful fisherman career.

休息时间 Breaktime

时长Duration: 2'13

一部短小轻快的定格动画，讲述一只手掌大小的尼斯湖水怪在学习时段俏皮地请求主人给予关注。

A short and light-hearted stop motion animation, featuring a palm-sized pet Loch Ness monster as he playfully pleads for his owner’s attention during a study session.

奶奶家 Grandmas house

时长Duration: 4'43

这些讲述幼童与祖母共同珍藏珍贵时刻的故事，充满了俏皮的冒险情节。

Stories of young children cherishing special moments with their grandmother are filled with playful adventures.

保持清醒 Stay Safe

时长Duration: 1'58

一段关于心理健康的简短科普视频。

A short awareness video on mental health.

Introduced (online) by

穆罕默德·加扎拉，沙特阿拉伯埃法特大学电影艺术学院院长、国际动画协会副主席。

Mohamed Ghazala, Chair of the Cinematic Arts School at Effat University in Saudi Arabia, Vice President of ASIFA.